WHAT IS INDIGENOUS RISING?

Indigenous Rising, photographed by Nadya Kwandibens (Red Works) in partnership with Photographers Without Borders (PWB), is a portrait series featuring Indigenous artists, scholars, media-makers, activists, and survivors whose work centers and amplifies stories of Indigenous resistance, reclamation, resurgence, decolonization, and intelligence. Portraits are accompanied by a message from each participant and will be on display throughout Kensington Market in Toronto for the month of May during CONTACT Photography Festival. We will also be partnering with Derooted Creative Technologies to bring larger than life projections throughout the city for the month of May. Indigenous Rising is also being expanded to a full-length documentary film (stay tuned).

CONTACT Exhibition listing here.

WATCH THE TRAILER BELOW


KENSINGTON MARKET, TKARONTO

We would like to acknowledge that Kensington Market is situated upon traditional territories of the Huron-Wendat Nation, the Anishinabek Nation, the Haudenosaunee Confederacy, the Mississaugas of the New Credit First Nations, and the Métis Nation. We recognize the enduring presence of Indigenous peoples on this land. Section 35 of the 1982 Constitution Act provides constitutional protection to the indigenous and treaty rights of Indigenous peoples in Canada. You can view a map showing all of the treaties in Ontario here.

The installation will be up the entire month of May! Please see below for a map of participant locations throughout Kensington Market.

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MEDIA

For media inquiries, please contact lisa@photographerswithoutborders.org.

 

#INDIGENOUSRISING

When you find a portrait, tag and share online using the hashtag #INDIGENOUSRISING during the entire month of May! See your posts turn up below. Find PWB and Red Works on Instagram @photographerswithoutborders and @_redworks


FEATURED


BACKGROUND

We hope this timeline will help give some context and background to Indigenous Rising. This timeline and the linked information is by no means comprehensive; we encourage you to keep learning, keep listening and keep making space for Indigenous folks, friends and family to rise. 

1492: Christopher Columbus and first contact European settlers on Turtle Island (North America) 

1763: The Royal Proclamation of 1763 and Treaties

1867: Indian Act

1960's-present: Sixties Scoop (Seventies Scoop, Eighties Scoop, Nineties Scoop, Millennium Scoop, etc)

1971: Helen Betty Osbourne and Missing and Murdered Indigenous Women and Girls (MMIWG)

1982: Section 35

1985: Bill C-31

1987: Meech Lake Accord

1990: Oka Crisis

1990: Neil Stonechild

1996: Last residential school closedRoyal Commission on Aboriginal Peoples (RCAP) Report

2007: United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP)

2012: Idle No More

2013: Kinder-Morgan Trans Mountain Pipeline Expansion

2014: Tina Fontaine

2015: Truth and Reconciliation Commission (TRC) Final Report

2016: Standing Rock and Dakota Access Pipeline

2016: Colten Boushie

2018: Colten Boushie & Tina Fontaine verdicts

 

ABOUT THE ARTIST: NADYA KWANDIBENS

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Nadya Kwandibens is Anishinaabe (Ojibwe) from the Animakee Wa Zhing #37 First Nation in northwestern Ontario. She is a self-taught portrait and events photographer and has travelled extensively across Canada for over 10 years. In 2008 she founded Red Works Photography. Red Works is a dynamic photography company empowering contemporary Indigenous lifestyles and cultures through photographic essays, features, and portraits. Red Works specializes in natural light portraiture and headshots sessions plus event and concert photography. Red Works also provides image licensing, workshops, presentations and print products. Her photography has been exhibited in group and solo shows across Canada and the United States.

Red Works Vision Statement:

"We, as Indigenous people, are often portrayed in history books as Nations once great; in museums as Nations frozen stoic; in the media as Nations forever troubled. These images can be despairing, however, my goal seeks to steer the positive course. If our history is a shadow, let this moment serve as light. We are musicians, lawyers, doctors, mothers and sons. We are activists, scholars, dreamers, fathers and daughters. Let us claim ourselves now and see that we are, and will always be great, thriving, balanced civilizations capable of carrying ourselves into that bright new day."

Nadya's artistic practice builds upon three ongoing bodies of work: Concrete Indians is an open-call series of contemporary urban Indigenous identity and a collective representation of decolonial assertions of resistance and resurgence; Red Works Outtakes is an uplifting portraiture series created to combat the "stoic indian" stereotype; and emergence, another open-call series, focuses on resurgent acts of decolonization by means of transmission and the conveyance of Indigenous intelligence. She is currently in the research and development phase for a new multimedia series titled The Kitchen Table Talks that will bring together Indigenous wombyn, LGBTQ2S, and invited settler-allies to round-table perspectives on matrilineal leadership and nationhood with a focus on addressing urgent local and regional Indigenous matters.

Nadya is also a member of the Indigenous Laws + The Arts Collective, the founding body of Testify, a travelling multimedia group exhibition. Testify pairs artists and legal thinkers to work in conversation with each other to create art pieces that explore facets of Indigenous law. Her work in this dynamic exhibition is titled RE:Turning Home and focuses on child-welfare law and the foster care system.

In addition to commissioned works, Nadya delivers empowering photography workshops and presentations for youth, universities, and community groups. She resides in the traditional territory of the Anishinaabe in northwestern Ontario.

To see more of her work, click here.

Our Sponsors

We owe a big thank you to our sponsors and partners this year for making this event possible. 

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OUR PARTNERS

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 ORBITAL ARTS
 

#indigenousrising